Our Artists
At Eastman, we feel privileged to work with the world's most talented musicians. We’re grateful to have them represent and promote our family of brands with their artistry. Their talent, dedication, and commitment helps shape who we are as people and thinkers who strive to make a better creative community for all.
Mr. Allen has 25 years of experience in performing professionally and teaching saxophone to pre-college, undergraduate and graduate level students. In addition to teaching at Texas Women’s University as Adjunct Professor of Saxophone, Mr. Allen is currently the Director of Instrumental Studies /Professor of Saxophone at Brookhaven College in Dallas. Mr. Allen’s saxophone students have gone on to win, placed high or been named as a finalist both state-wide and nationally in such competitions as the Texas All-State Bands, North American Saxophone Alliance (NASA) Solo and Chamber Competitions at NASA Biennial Conferences, MTNA Solo and Chamber Competitions, Fischoff Chamber Competition and other solo and chamber contests.
Mr. Allen has performed extensively with the East Texas, Mesquite, Garland, Las Colinas, Waco and the Dallas symphony orchestras – as well as the Texas Women’s University Wind Symphony, TAMU-Commerce Wind Ensemble, Richardson Community Band and the Camerata Woodwind Quintet. Mr. Allen has been a tenured member of the Dallas Winds (Formerly known as the Dallas Wind Symphony) since 1992 and has performed on 14 internationally released recordings with the group on both alto and tenor saxophones. Mr. Allen was a performer/composer/arranger for the Larry “T Byrd” Gordon Band for four years, performing music of various styles including rock and roll, jazz, country, and rhythm and blues. Mr. Allen is an active clinician and adjudicator state-wide. His professional organization affiliations include the North American Saxophone Alliance (NASA), Texas Music Educators Association (TMEA), Texas Community College Band Directors Association (TCCBDA), Kappa Kappa Psi and Pi Kappa Lambda. Mr. Allen received his Bachelor and Master degrees from Baylor University, where he was a student of Dr. Michael Jacobson.
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the ETS652? Please provide your information below and we’ll be in touch shortly.
Jeff Antoniuk is an internationally respected jazz composer and saxophonist whose concerts and recordings are consistently well received by critics. His CD’s with The Jazz Update and The MARS 4-tet have been lauded by jazz critics around the world, who note his exceptional compositions and peerless technique. A dedicated teaching artist, Antoniuk is the Artistic Director of the Maryland Summer Jazz summer workshop, as well as both Jazz Band Masterclass and inDepth Jazz Clinics on the east coast. He is also a Master Teaching Artist with Washington Performing Arts in the nations capitol. Through WPA and the Capitol Jazz Project (in conjunction with Jazz at Lincoln Center and Wynton Marsalis), Antoniuk shares jazz, improvisation and the saxophone with thousands of school age children every year. For decades, Antoniuk has shared the stage with jazz and R&B names, ranging from Ray Charles, Najee and David Foster to Marcus Miller, Jimmy Haslip and Ingrid Jensen. “I’ve been playing the typical great vintage horns for over 25 years, and this is the first time I’ve been compelled to put them down. The 52nd Street tenor is beyond comfortable. Congrats to Eastman for finally coming up with an affordable horn that sounds like New York City in 1958!”
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the ETS652? Please provide your information below and we’ll be in touch shortly.
EAS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
• 52nd St. Eb Alto Saxophone
• High F# key, aged unlacquered brass finish
• Adjustable thumbrest
• Large bell, rolled-style tone holes, special 52nd St. engraving
• "S" neck
• Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the EAS652? Please provide your information below and we’ll be in touch shortly.
Brian Asselin, Bachelor of Music, Bachelor of Education. Over the past 15 years Brian has toured Europe, the United States and Canada with various bands including: Delbert & The Commotions, The Legendary Funk Brothers, Mary Wilson (The Supremes), The Temptations, The Four Tops, The JW-Jones Blues Band, The Jivewires, The Holly Larocque and Mark Ferguson Big Band, Groovebug, and Organix. In his musical endeavors, Brian has shared the stage with such artists as Kim Wilson (Grammy Award Nominee, WC Handy Award Winner), Dan Ackroyd, Bob Mintzer (Grammy Award Winner), Randy Brecker (Grammy Award Winner), Chase Sanborn, Mike Murley (Juno Award Winner), Alex Dean, Guido Basso, Colin James (Juno Award Winner), Sue Foley, Pat Travers, Garrett Mason (Juno Award Winner), Roxanne Potvin (Juno Award Nominee), David Braid, Parliament Funkadelic, Brian Browne, Kathleen Edwards (Juno Award Winner), Sam Roberts (Juno Award Winner) and The Texas Horns. Brian received his bachelors in music performance from Carleton University in 2004 under the direction of Mike Tremblay, Rob Frayne, and Juno award winner Kirk Macdonald. Being an educator has always been in the forefront of his career. Brian started teaching private students while attending University which eventually led him back to school to obtain his education degree. Over the course of the last 10 years he has taught students topics ranging from saxophone, jazz improvisation, music theory, and song writing. Currently Brian is on staff as a professor at Algonquin College in the Industry Arts program as well as conducting several bands under a program called New Horizons which help adults learn a musical instrument in a band setting. Apart from being a saxophonist, Brian is also a songwriter. After attending teachers college he wrote a song dedicated to teachers around the world who inspire their students on a daily basis. The song has since gone viral (over 1 million views) on youtube and can be heard by choirs all around the world. The song has also been played on NBC’s Late Night News with Diane Sawyer. Since writing that song, Brian has created a YouTube channel, and released albums both under his own name as well as his new Soul project entitled ‘Delbert & The Commotions’. Back in 2009, Brian got the opportunity to tour with The Motown Legendary Funk Brothers which is an experience he will cherish for the rest of my life. The Funk Brothers (including Bob Babbitt, Uriel Jones, and Eddie Willis) were the back up band on most Motown albums including The Temptations, The Supremes, Stevie Wonder, The Jackson 5, and countless others. The documentary ‘Standing In The Shadows of Motown’ is the story of The Funk Brothers. During his stay with the Funk Brothers he formed a friendship with the bands lead singer, Delbert Nelson and soon after they created the band – Delbert & The Commotions. Just last March, they released their debut album entitled ‘Let Me See Ya Dance’. With this album hot off the press, they are currently in the works to record their second album which will hopefully be released in early 2014.
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the ETS652? Please provide your information below and we’ll be in touch shortly.
Pat Belliveau is a JUNO Award nominated and 3-time YYC Music Award nominated saxophonist, and, has an extensive performing background which has involved numerous performances at international jazz festivals and venues in Victoria, Vancouver, Calgary, Edmonton, Saskatoon, Winnipeg, Montreal, Montreux, Switzerland, and Boquete, and Panama City, Panama. In addition, he has toured throughout North America, Europe, and Japan, with numerous groups, including, the Jimmy Dorsey Orchestra, Vic Damone/Diahann Carroll, the Mills Brothers, "Jazz Vibraphonist" Terry Gibbs, Maureen McGovern, and Mel Torme.
As well, Pat has done numerous concert performances with many artists and groups including; Bob Mintzer, Randy Brecker, Herbie Hancock, Harry Connick Jr., Bobby Shew, Clark Terry, Pat LaBarbera, Rob McConnell, Phil Woods, Bill Watrous, Mike Tomaro, Jeff Jarvis, Kenny Wheeler, Doc Severinsen, Martha Reeves and the Vandellas, The Temptations, Joan Rivers, Bernadette Peters, David Foster, Colin James, The University of Calgary Jazz Ensemble, The University of Lethbridge Jazz Ensemble, The Brandon University Jazz Ensemble, The Abilene Christian University Jazz Ensemble (Abilene, Texas), The Canadian "rock group" Lighthouse, The Canadian Tenors (Now “The Tenors”), The New York casts of A West Side Story and A Chorus Line, The Calgary Philharmonic Orchestra, and The Edmonton Symphony Orchestra among others.
In addition, he is presently on faculty (teaching saxophone, improvisation, and jazz ensemble director) at Ambrose University in Calgary, is a former faculty member of the University of Calgary Music Department (1995-2008), teaching jazz saxophone, jazz harmony, and jazz improvisation. As well, Pat has been a private saxophone instructor since 1986, has several private students, and is active as a clinician/adjudicator for festivals, schools, and various adult groups throughout Canada. He can be heard on over 55 recordings as a sideman and leader, and has been heard on numerous television and radio jingles.
Pat is an Artist/Clinician for "Eastman Musical Instruments", for “BG Woodwind Music Products” (France), for “Theo Wanne Saxophone Mouthpieces”, and for “Marca Saxophone Reeds” (France).
Website: http://www.belltones.ca
What They Play
ETS852
New Model
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and specifically-placed rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past. This model includes both an "S" and "M" neck, developed with Bob Mintzer, and features our DS mechanism to provide players with versatility and unmatched playability.
- 52nd St. Bb Tenor Saxophone
- DS Mechanism
- High F# Key, Aged Unlacquered Brass Finish
- Large Bell, Rolled-Style Tone Holes, Special 52nd St. Engraving
- "M" and "S" Necks
- Deluxe Case With Storage Pockets and Backpack Straps
Get More Info
Have a question or want to know more about the ETS852? Please provide your information below and we’ll be in touch shortly.
David is a Peruvian saxophonist, educator, director of ensembles and big band with more than 20 years as an active musician. He has participated in various Peruvian music and jazz festivals in Peru, Brazil, USA, Canada, Portugal, Spain and Belgium with the following performing groups: Cimarrones, David Cabrejos Sextet, Vanguardia Perú Big Band, Bareto, Modulated Attitude, and Los Calypsos. He is also an artist for the Brazilian brand Barkley Brasil saxophone mouthpieces.
He has shared the stage with musicians such as Eric Marienthal, Lenny Pickett, Andy Montañés, Adam Rappa, Tony Succar, Oscar Stagnaro, among others. David conducts “Vanguardia Perú Big Band," a jazz ensemble with nearly 10 years of experience made up of the most outstanding musicians from the Lima jazz scene, playing a repertoire of Peruvian music fused with jazz.
In the field of education, he conducts the "Tempo Big Band" at the Tempo Music School, where he is currently a professor of Pop and Blues ensembles at the San Ignacio de Loyola University (USIL) and teaches saxophone privately.
David will present his first album with his Peruvian jazz sextet in June 2023.
What They Play
ESS642
Legacy Model
This very responsive straight one-piece professional soprano boasts an evenness of tone quality across the range of the instrument with exceptional intonation.
- Bb Soprano Saxophone
- High F#, gold lacquer body and keys
- Straight one-piece body
- Deluxe case w/storage pockets and backpack straps
- Available as ESS642-BS
- With black nickel-plated body, silver-plated keys
- Available as ESS642-BS
Get More Info
Have a question or want to know more about the ESS642? Please provide your information below and we’ll be in touch shortly.
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the ETS652? Please provide your information below and we’ll be in touch shortly.
Michael Carbone, a native of Utica, New York moved to the Binghamton area in 1981 and has been an instrumental music teacher in the Johnson City School district where he is currently the Coordinator of Music for the JC School District. Along with his administrative duties, and instrumental lesson teaching, he has also been involved with directing the high school concert band and jazz ensembles. Mike has also served as guest conductor for Broome, Seneca, Ulster, and Tompkins County Music Educators Festivals, and as Saxophone/Jazz Improvisation Instructor for New York State School of Music for the Arts at Binghamton University. Mike was also the last Secretary Officer for the New York State Chapter of the International Association for Jazz Education (IAJE) and has frequently been hired as a jazz adjudicator/clinician for high school jazz festivals. Mike joined the Binghamton University music faculty in 1997 and continues to serve as the Director of the Jazz Studies Program and the Director of the Harpur Jazz Ensemble. He holds a Bachelor of Music Education from the Crane School of Music and a Masters in Music performance from Binghamton University having studied saxophone with Dr. James Stoltie, J.R. Montrose, Al Gallodoro, and April Lucas. Mr. Carbone has performed as a sideman for many well-known artists including Al Marino, Natalie Cole, Tommy Tune, Mel Torme, Engelbert Humperdinck, Slam Stewart, Nick Brignola, Steve Gilmore, Tony Marino, Tom Whaley, Duffy Jackson, Jeff Jarvis, Jeff Stockham, Joe Riposo, Ron Vincent, Jacque Washington, Dave Samuels, Steve Laspina, the Jimmy Dorsey Orchestra, Danny D’Imperio’s Big Band Bloviation, the Central New York Jazz Orchestra, Marko Marcinko, Al Hamme’s Music Unlimited and Swing Street ensembles, Bill Carter’s Presbybop Quartet, The Temptations, and most recently on a recording session with the Presbybop ensemble, which featured Dave Liebman. From Mike about the Andres Eastman 52nd Street ESS 652 Soprano Saxophone: I absolutely love my Andreas Eastman 52nd St. Soprano with the curved neck! I’ve owned, and played on, a number of other top brand soprano saxophones, and have for thirty plus years been searching for a soprano that plays the way I dreamed a soprano would sound and feel! The ESS 652 52nd Street has a wonderful sound, is ergonomically designed to feel very comfortable in your hands, has superb intonation, fantastic technical facility, and has the free blowing flexibility as if I’m playing my tenor! I have finally found the soprano for me, and I could not recommend this horn more. It will be the direction I send all of my students. Thank you Andreas Eastman for building such a fantastic instrument!
What They Play
ESS652
Legacy Model
The 52nd Street Saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers across the range of the instrument, and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Soprano Saxophone
- High F# key, aged unlacquered body and keys
- Straight one-piece body
- Rolled-style tone holes, special 52nd St. engraving
- Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the ESS652? Please provide your information below and we’ll be in touch shortly.
Kenyon Carter is an Atlanta-based jazz saxophonist and international recording artist recognized for his melodic smooth jazz compositions and engaging live performances. His soulful style and rich sound have been compared to contemporary smooth jazz favorites like Boney James, Dave Koz, Kirk Whalum and Gerald Albright. Kenyon’s most recent smooth jazz album, Right By My Side, has received widespread international radio play and “Sky Line” and “Sangria Sunday” were listed among GrooveJazzMusic.com’s“Top 100 of 2012”. “Sangria Sunday” remained at the tops of smooth jazz radio charts for more than 10 weeks. Raised in South Georgia, Kenyon’s call to jazz came early, picking up his first saxophone at thirteen. He began his formal education at Valdosta State University, where he earned Bachelor’s degrees in both Jazz Performance and Music Education. Later, he pursued graduate work at Georgia State University, where he earned a Master’s degree in Jazz Studies. Kenyon currently maintains a busy schedule of performances, composition, and serves as the instructor of jazz saxophone at Jacksonville State University in Jacksonville, AL. Kenyon also works with his private studio of students, regardless of their location, via internet video call lessons.
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the ETS652? Please provide your information below and we’ll be in touch shortly.
Kadeem Chambers was born in Cleveland, Ohio and raised in Decatur, Georgia. Chambers started his musical career as a trumpet player at the tender age of 9. At 12 years old, Chambers began to play the tuba, and became a fan of the instrument just after 3 months of learning how to play. During this short period, Chambers became a member of the district IV Honor Band, which enhanced his musical career. He was also a member of the GMEA All State Band for two consecutive years. For Chambers, being apart of an elite musical group was an honor, because he was among some of the best musicians in the state of Georgia. Throughout Chambers’ high school career, he proceeded to work with some of the most influential musicians and conductors which helped shape his musical craft. Musical influencers such as James Seda, Samuel Rowley, Nicholas Thomas, Gabriel Arnold, Natalie Brown, and Bernard Flythe, helped Chambers become a member of the Atlanta Youth Wind Symphony for 4 consecutive years. These mentors also helped Chambers become a member of the University of Georgia’s JanFest Honor Band program, while allowing him to continue his membership in the GMEA All State Band for an additional 3 years. Because of Chamber’s successful mentorship, he was able to become a member of the Music For All National Honor Band of America during his senior year which motivated him to do more.
Kadeem Chambers attended Kennesaw State University, where he majored in Music Education, with a concentration in Music Performance. With the help of his instructor, Bernard Flythe, Chambers created many opportunities for himself while at the University. During his musical career, Chambers worked with many influential conductors and some of the best tuba professionals, including: David Kehler, Micheal Alexander, Micheal Moore, Tom Bough, Thomas Cremer, Mallory Thompson, Paul Dickenson, Nathaniel Parker, Scott Stewart, Col. Graham, Alan Baer, Samuel Hazo, and many others.
Mr. Chambers has also engaged in the entertainment side of music as well, through spectacular performances using his instrumental skills. Chambers is a featured musician on Mariah Carey’s album, “Memoirs of an Imperfect Angel” on the track, “Up Out My Face”. Chambers also performed for the Atlanta Dream during for their halftime show, played for Google’s National Tech Convention, appeared on Peachtree TVs show, “Drumroll: SWD”, performed as a musician on BETs, “The Quad”, performed as a musician on VH1s, “Drumline 2”, performed at Dolly Parton’s theme park “Dollywood” for their summertime celebration, and was a performer for the Dolly Pardon’s parade, while also being featured on the talk show “The View”. Mr. Chambers is also a Grammy Award Winner for his involvement as a tubist at
Beyoncé’s historic Coachella Performance and has also served as a musician on Drumline Live, where he tours across the nation to perform shows on a yearly basis.
Mr. Chambers currently works with the Atlanta Hawks as a Tubist for their band, the ATLBOOM where he is entering their second season. Mr. Chambers also works as a Brass Coach for Middle/High School students getting ready for various competitions and/or college preparations and is a student at Georgia State University where he plans to finish his degree in Music Education. He teaches individual lessons for students preparing for All State and college auditions to help expand their musical talents. Kadeem Chambers is very involved in his community by being a proud member of multiple organizations such as: Phi Beta Sigma Fraternity Incorporated, Georgia Millennial Educators, National Association For Music Educators, Georgia Association of Educators, and Phi Mu Alpha Sinfonia Fraternity of America Incorporated.
What They Play
EPH495
- Key of BBb
- .689" bore
- 25" yellow brass bell
- Stainless steel pistons
- Clear lacquer finish
- Laskey Stadium Series mouthpiece and deluxe case w/wheels
Get More Info
Have a question or want to know more about the EPH495? Please provide your information below and we’ll be in touch shortly.
Keith Kelly is a Phoenix-based woodwind specialist and composer who works primarily in improvisation-based music. Much of his original works live somewhere between the spheres of jazz, ambient, and indie-rock. As a leader, he directs the Composers/Improvisers Big Band, the jazz-rock-improvisation unit Ask Not, and is regularly seen at The Lost Leaf, Phoenix’s hub of creative music. Keith performs often with Crossing 32nd St, and throughout the Western/Southwestern United States at a variety of new music concerts - including the Outsounds Music Festival (CA), In the Flow (CA), Oh My Ears (AZ), and at The Roost (NM).
His close cadre of musical companions include: vibraphonists/percussionists Brett Reed and Nathan Hubbard; woodwind players Eric Rasmussen, Adam Roberts, and Josh Bennett; percussionist Ryan Anthony; bassist Ben Hedquist; synth-maniac Tony Obr; guitarist Mike Sawitzke; and pianist Ashley Oakley. Equally at home in the realm of popular music, he has recorded with EELS, Dispatch, Califone, Michael Krassner, and Max Knouse. His recorded music is available through both Edgetone Records and his own label EX(P)HX.
Dr. Kelly holds degrees from the Conservatory of Music at University of the Pacific and Arizona State University. Since 2012, he has served as the Coordinator of Music Humanities and Performance at Paradise Valley Community College.
Here is what Keith Kelly says about the Eastman 52nd Street Tenor Saxophone"
"I’ve played a vintage horn, ever since I picked up the tenor saxophone. I had found that modern horns lacked the power, the range of tone color, and the overall ‘umph’ that I loved so much about playing vintage horns. The Eastman 52nd St Tenor Saxophone was a revelation to me – a modern horn, with all the precision key-work and attention to detail, coupled with the overall sound and feel of a vintage saxophone. When I first played my Eastman with the musicians who know me and my music best, they raved about how I 'sounded more like myself' and how much 'clearer and focused' my sound became. I feel so lucky to be able to play this horn every day and to share this hybrid of 'vintage and modern' with my students and other professionals."
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the ETS652? Please provide your information below and we’ll be in touch shortly.
Sousaphonist, Producer, Composer, Educator & Entrepreneur hailing from Mobile, AL, taking on new feets high and low with his beautiful raw brass Eastman Sousaphone. Play in bands such as 5 MILE BRASS, a funky hip-hop brass band Brett started in 2019. Brett n' Butter, a country comedy band lead by Brett with vocals and tuba lead lines. Brett has also performed along side bands/ artist such as Trombone Shorty, Soul Rebels, Eddie Roberts, The Dirty Dozen Brass Band, and the late Charlie Daniels. Brett also loves creating and exploring anything to do with horns, especially tuba. He has composed published works under his own distribution ranging from solo tuba & piano, quartet, and even tuba w/ electronics. Brett also owns a music school in downtown Mobile called Mobtown Music, where him and his staff can teach any instrument you would like to learn online or in person. His education consist on 2 years at William Carey University & 3 years at University of Mobile, ending during the pandemic with an associates in music business and education. Brett will always strive to find what is next for the horn, as of now he hasn't found a boundary for what tuba can't do.
What They Play
EPH495
- Key of BBb
- .689" bore
- 25" yellow brass bell
- Stainless steel pistons
- Clear lacquer finish
- Laskey Stadium Series mouthpiece and deluxe case w/wheels
Get More Info
Have a question or want to know more about the EPH495? Please provide your information below and we’ll be in touch shortly.
Acclaimed as “a virtuoso saxophonist" (Beverly Hills National Auditions), and a “magician showing off his tricks" (www.austin360.com), Dr. Andrew Harrison has emerged as one of today’s most unique and engaging musicians, leading him to perform hundreds of concerts throughout the United States and Europe as a chamber musician and soloist. He has placed in numerous prestigious competitions, including the Frances Walton Competition, the U.S. “Pershing’s Own” Collegiate Concerto Competition, and most recently the Berliner International Competition. Dr. Harrison has been featured with numerous ensembles, including the Downey Symphony Orchestra, Music Academy of the West Orchestra, Cal Poly Pomona and La Sierra University Wind Ensembles, and the Pacific Symphony Youth Wind Ensemble, and his playing has been described as "spectacular" (LA Opus) with a sound that is "broad and rich" (The Instrumentalist).
An advocate for contemporary saxophone music, Dr. Harrison has premiered over 30 new works by emerging and preeminent composers including Joel Love, Jules Pegram, Jim Stephenson, and Jennifer Higdon, among others, which range from solo works to large ensemble premieres. He has also recorded on several acclaimed albums, including Shadow of Sirius (GRAMMY Nomination, 2016) and Places in the West with with the University of Texas Wind Ensemble, Over the Rainbow and Bach Again with the TexSax Saxophone Ensemble, and has released In the City: New Works for Saxophone Quartet under his own label.
As an educator, Dr. Harrison is a frequent presenter of masterclasses and clinics at numerous high schools, universities, and conferences around the country, including the North American Saxophone Alliance, Texas Music Educators Association, and Denison Tutti Festival, along with Residencies at Websters University, Southern Illinois University Edwardsville, Franklin College, among others. His students have been accepted to numerous prestigious schools and organizations, including Cal State Fullerton, University of the Pacific, USC, UT Austin, University of North Texas, the Pacific Symphony Youth Ensemble, and the Riverside Philharmonic.
Currently, Dr. Harrison serves on the faculty of Mt. San Antonio College, Cerritos College, and the French Conservatory of Music, and previously served as the Saxophone Mentor Artist at the Colburn School. He holds a Doctorate of Musical Arts degree from the University of Southern California Thornton School of Music, and a Masters degree from the University of Texas at Austin Butler School of Music, and his teachers have included legendary saxophonist Harvey Pittel, and LA Philharmonic Saxophonists Jim Rotter and Douglas Masek. He is the Co-Founder of the Uproar Duo with acclaimed pianist Clare Longendyke, and is an Endorsing Artist with Eastman Winds.
What They Play
EAS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
• 52nd St. Eb Alto Saxophone
• High F# key, aged unlacquered brass finish
• Adjustable thumbrest
• Large bell, rolled-style tone holes, special 52nd St. engraving
• "S" neck
• Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the EAS652? Please provide your information below and we’ll be in touch shortly.
Jimmie, or as friends call him Tjari, was born September 18, 1967 in “Flower City” Rochester NY. Critically acclaimed, Grammy Nominated and award winning Saxophonist Jimmie Highsmith Jr., has shared the stage with and opened for multiple Grammy Award winners, including Najee, Alicia Keys, Víctor and Joseph Wooten, Chris Botti, Grover Washington Jr., and Wynton Marsalis just to name a few. In the last ten years he has recorded 7 top selling smooth jazz CD’s that have sold thousands worldwide with his 6th CD “The Anthology of Sound” receiving a Grammy Nomination.. Jimmie has also been honored to record with several other musicians, singers and rappers on their projects. Jimmie Highsmith Jr’s sax work represents some of the best in the Smooth Jazz Genre. June 1st was proclaimed by then Mayor Robert J. Duffy “Jimmie Highsmith Jr Day” in Rochester NY.
http://www.jimmiehighsmithjr.com/
https://www.facebook.com/jase.highsmith
What They Play
ESS642
Legacy Model
This very responsive straight one-piece professional soprano boasts an evenness of tone quality across the range of the instrument with exceptional intonation.
- Bb Soprano Saxophone
- High F#, gold lacquer body and keys
- Straight one-piece body
- Deluxe case w/storage pockets and backpack straps
- Available as ESS642-BS
- With black nickel-plated body, silver-plated keys
- Available as ESS642-BS
Get More Info
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Dr. David Humphreys is Assistant Professor of Tuba and Euphonium at Western Kentucky University, a position he has held since 2021. Prior to WKU, Dr. Humphreys taught at Texas Woman’s University, Texas Wesleyan University, and the University of North Texas. He previously held teaching positions at McKinney ISD (McKinney, TX), Edmond Memorial High School (Edmond, OK), Putnam City High School (Oklahoma City, OK), and El Sistema Oklahoma.
Dr. Humphreys has won multiple regional Tuba Euphonium Conference solo competitions on both tuba and euphonium. He has been invited to perform at several competitions and festivals including the Leonard Falcone International Euphonium and Tuba Festival; the Eastman Tuba Academy; the Buffet Crampon Tuba Euphonium Academy; various Regional Tuba Euphonium Conferences; and the International Tuba Euphonium Conference (ITEC).
As a chamber musician, Dr. Humphreys is acting principal tuba of the Owensboro (KY) Symphony and is a frequent guest with Orchestra Kentucky (Bowling Green). He is a member of the Western Kentucky University Faculty Brass Quintet and also is a member of the Boulevard Brass Quintet. He was previously principal E-flat tuba for the Dallas Brass Band. He is a founding member of the Juggernaut Tuba Euphonium Quartet, and the Frontier Brass Band (OK). He has performed with the Oklahoma City University faculty brass quintet and the University of Oklahoma faculty brass quintet. Additionally, he has performed with the Oklahoma City Philharmonic, Tulsa Symphony Orchestra, and the Symphony of Northwest Arkansas.
Dr. Humphreys has degrees in instrumental music education (BME, University of Oklahoma) and music performance (MM euphonium, University of Oklahoma; MM tuba, Oklahoma City University; DMA tuba, University of North Texas). His primary teachers include Don Little, Matt Good, Dr. David Childs, Dr. Ryan Robinson, Dr. Jeff Baker, and Brian Dobbins. His professional affiliations include the International Tuba Euphonium Association, Kentucky Music Educators Association, Texas Music Educators Association, and Oklahoma Music Educators Association.
What They Play
EPH495
- Key of BBb
- .689" bore
- 25" yellow brass bell
- Stainless steel pistons
- Clear lacquer finish
- Laskey Stadium Series mouthpiece and deluxe case w/wheels
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Cory Hungerford is recently retired from the United States Marine Corps after 20 years of service. His final assignment was serving as the Director of Chamber Ensembles and Staff Arranger with the 3rd Marine Aircraft Wing Band. Cory performed nationwide as musical director and sousaphonist with the band’s acclaimed Brass Band. In addition, he directed an initiative resulting in an exponentially increased presence on Marine Corps social media platforms.
Cory is the former Brass Branch Head in the Instrumental Division at the Naval School of Music in Virginia Beach, Virginia. In addition to these responsibilities, Cory was also the tuba instructor, faculty brass quintet leader, and taught chamber ensemble classes including brass quintet and brass band. He was also selected as the Instructor of the Year at the Naval School of Music.
As a guest artist and clinician, Cory has performed in over 30 countries working with international military bands and students of all levels. His notable achievements include leading the U.S. Naval Forces Europe and Africa Band in the Royal Military Edinburgh Tattoo located in Edinburgh, Scotland; performing at national conferences including the U.S. Army Tuba Euphonium Workshop, International Euphonium Tuba Conference, and the Texas Music Educators Association Annual Conference.
Cory now resides in Murrieta, California where he is an active freelance musician and educator. He holds a degree in music from Thomas Edison State University and is dedicated to the education and enrichment of his students. Besides all things musical, Cory is an ardent whiskey and beer enthusiast. He also enjoys the challenge CrossFit presents to counteract the negative effects of his first hobby!
Cory Hungerford is proud to be an Eastman artist.
What They Play
EPH495
- Key of BBb
- .689" bore
- 25" yellow brass bell
- Stainless steel pistons
- Clear lacquer finish
- Laskey Stadium Series mouthpiece and deluxe case w/wheels
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Born in Humacao, Puerto Rico... raised in Las Piedras, Puerto Rico. Emily Sierra plays many instruments, specializing in the saxophone. The Alto Saxophone is her principal instrument, although her first instrument learned was the classic guitar. Her first studies in music was at Escuela Libre de Musica in Humacao, Puerto Rico; in which she started her studies in saxophone. Since she was so advanced in her instrument, the saxophone professor admitted her as a second saxophone player at the Humacao Municipal Symphony and marching Band, having the experience of participating in concerts in Venezuela, Costa Rica and Puerto Rico at the age of 15. Also began performing on popular television shows in Puerto Rico at the age of 17. Emily plays with famous Latin artists, touring national acts, performances in churches, theaters, musicals and local bands. Her style and skills are eclectic: Gospel, Motown, Salsa, Merengue, Rock, Jazz, Psychedelic Tribal and more!
Emily has a Bachelor's Degree in Saxophone Performance from the Puerto Rico Conservatory of Music and a Master's Degree in Classical Saxophone from the College-Conservatory of Music, University of Cincinnati (Cincinnati, Ohio). Her vast performance experience includes playing with Freddy Kenton, Tito Puente Jr, The Temptations Review, Gilberto Santa Rosa, The Four Tops, Jose Alberto "el canario", The New York Band, Miriam Cruz, Lalo Rodriguez, Nino Segarra, Luis "Perico" Ortiz, among other artists. She has also done musical recordings for several Latin Music artists and Gospel Christian artists. Her most difficult challenges has been to be accepted and welcomed as a female professional saxophone player by an environment of mostly male musicians and performers.
Emily’s music and energy defy bounds and limits. She was the first student (and first female) to obtain a degree in her chosen discipline Saxophone Performance from the Puerto Rico Conservatory of Music since Saxophone was incorporated as a classical instrument for the saxophone studies program on that year. Emily is passionate about playing music. She also dances and is skilled in Latin percussion and background vocals.
Emily endorses Theo Wanne Mouthpieces, Rhino Ligatures, Harry Hartman's Fiberreeds and recently joined the Eastman Winds family.
Emily is based in New York City and New Jersey. She continues promoting her first instrumental album named "Eclectico".
What They Play
EAS850
Drawing on the style of classic French saxophones, the EAS850 Rue Saint-Georges model projects a focused, centered sound suited to professional players. The DS mechanism and keywork design revolutionize the way a saxophone feels and plays. Quick and light action leads to precise and elegant playing. The EAS850 includes both the "R" neck and the "S" neck, providing players with enhanced flexibility within the same instrument outfit.
- Rue Saint-Georges Eb Alto Saxophone
- DS Mechanism
- High F# key, gold lacquer finish
- Adjustable thumbrest
- "R" and "S" necks
- Deluxe engraving
- Deluxe case
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Saxophonist and educator, Mark Jackovic earned a bachelors degree from Duquesne University in music education in 2011. Following graduation Jackovic played in several bands throughout the Pittsburgh region. In 2011 as part of the Center of Life Jazz Band, Jackovic took 2nd place in the Open Combo division at the Next Generation Jazz Festival in Monterey, CA.
In 2012, Jackovic was accepted into The Mason Gross School of the Arts at Rutgers University where he earned a master’s degree in jazz performance. During Jackovic’s time at Rutgers University he studied, improvisation, arranging, composition, jazz history, and jazz theory under Conrad Herwig, Kenny Davis, Victor Lewis, Mark Gross, Lewis Porter and Bill O’Connell as well as a myriad of guest artists. Rutgers University also gave him the opportunity to study privately from theorist, composer, and saxophonist Ralph Bowen.
From 2014 to 2016 Jackovic worked as the Jazz Coordinator at Center of Life, an out of school program in music and arts that serves the Hazelwood community of Pittsburgh. While working for Center of Life Jackovic developed curriculum, taught 1st through 12th grade students, managed program budgets, and performed managerial duties. Also, during that time Jackovic worked part-time as the Front House Coordinator at Manchester Craftsmen’s Guild.
Jackovic is working full time as the Jazz Education and Archives Manager at Manchester Craftsmen’s Guild (MCG). MCG Jazz has embedded a new jazz curriculum in several counties within West Virginia with the help of Jackovic reaching over 10,000 students since 2016. Jackovic is a published archivist providing materials for the PBS documentary “We Knew We Had: The Greatest Jazz Story Never Told” a film about the history of Pittsburgh and the jazz musicians who helped the music thrive. During the pandemic Jackovic created a suite of archival videos utilizing the MCG Jazz Pittsburgh Jazz Legends Oral History Collection in partnership with the Smithsonian Institution’s National Museum of American History.
Jackovic is endorsed by the mouthpiece company Theo Wanne. The Eastman ETS652RL and other 52nd Street models are Jackovic’s instruments of choice. Mark Jackovic has performed with: Marty Ashby, Pittsburgh Jazz Orchestra, Vivian Reed, The Jimmy Dorsey Orchestra, Roger Humphries, Dwayne Dolphin, Landau Eugene Murphy Jr., actor and vocalist Keith David, choreographer Dwight Rhoden's production of StrayLifeLushHorn with the Pittsburgh Ballet Theatre, Sachal Vasandani, James Tormé, Tony Martucci, Kenny Blake, Shelf Life String Band, Badboxes, Mystic Seers, Giant's Causeway, video editor and performer on Music from the 412 and more.
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
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Born in Miami, FL, Haitian-American Claudens Louis’ love for education has led him to conducting clinics and masterclasses at several universities and music programs around the world as a teaching artist. He is successfully serving students in the very community he grew up in as the Jazz Director at the Miami Arts Charter school.
As a performing artist, Louis’ experience includes performing in different countries as an American Music Ambassador for the U.S. Department of Educational and Cultural Affairs, performing and conducting masterclasses in collaboration with US Embassies in Haiti, Costa Rica, Mexico, Latvia, Dushanbe, Tajikistan, and Tanzania. Louis has also performed with stellar legendary artists including 9-time Grammy Award winner Shaun Martin of Snarky Puppy, the Snarky Puppy horn-section, Jason Derulo, Wyclef Jean, Steffon Harris, Warren Wolf, Black Violin, The New Standard, PostModern Jukebox’s Sarah Reich and Prince’s MonoNeon, to name a few. He has been touring the globe with a number of these legendary artists, but also as a bandleader with his own original project, The CieL Experience.
He continues to impress audiences around the world with his high-energy performances, distinct style of improvisation, and original compositions.
What They Play
ETS852
New Model
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and specifically-placed rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past. This model includes both an "S" and "M" neck, developed with Bob Mintzer, and features our DS mechanism to provide players with versatility and unmatched playability.
- 52nd St. Bb Tenor Saxophone
- DS Mechanism
- High F# Key, Aged Unlacquered Brass Finish
- Large Bell, Rolled-Style Tone Holes, Special 52nd St. Engraving
- "M" and "S" Necks
- Deluxe Case With Storage Pockets and Backpack Straps
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Robert Todd, Jr. is a highly skilled low brass specialist based in the greater Los Angeles area. In addition to his work as an arranger and performer, he serves as a low brass instructor at multiple high schools in the Santa Clarita and Arcadia regions.
As the co-founder and band leader of the successful polka group Die Sauerkrauts, Robert highlights his expertise on the tuba. His versatility extends across various ensembles, including playing sousaphone with the Wildfire Brass Band, contrabass trombone with the UCLA Video Game Ensemble, and bass trombone with the John Daversa Band, along with performances in numerous other groups throughout Los Angeles.
Robert holds a Bachelor of Music degree from California State University, Fullerton, where he studied under renowned professor Robert Sanders. In his spare time, he creates YouTube content featuring performances on a variety of low brass instruments, showcasing both his original arrangements and those of his colleagues.
What They Play
EBC832
The EBC832 is the result of innovation not seen in the tuba community. This compact tuba combines the agility and response of 4/4 size tuba, with the sound and color of a much larger tuba.
- Key of CC, 4/4 size
- .689" bore
- 19 3/4" yellow brass, upright bell
- York style 4 front-action pistons + 5th rotary valve
- Clear lacquer finish
- Laskey 30H EU mouthpiece
- Deluxe case w/wheels
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EPH495
- Key of BBb
- .689" bore
- 25" yellow brass bell
- Stainless steel pistons
- Clear lacquer finish
- Laskey Stadium Series mouthpiece and deluxe case w/wheels
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Dr. Thomas Lukowicz is an accomplished musician with a diverse career in performance, education, and the marching arts. He is the Associate Professor of Low Brass at the University of North Alabama, Tuba-Artist Faculty at the Tennessee Valley Music Festival, and Principal Tuba of the Canton Symphony Orchestra and Chamber Orchestra of New York.
Dr. Lukowicz has performed with many top orchestras in the United States, including the Columbus Symphony, Cincinnati Symphony, Glimmerglass Opera Orchestra, Louisville Orchestra, Pittsburgh Symphony Orchestra, New World Symphony, Naples Philharmonic, and Pittsburgh Symphony Brass. He has also recorded numerous CDs with the Chamber Orchestra of New York and can be heard on the Pittsburgh Symphony Brass recording “A Song of Christmas.”
He is also a passionate educator and has been on faculty at Wright State University, Kent State University, and Notre Dame College. Additionally, he served as an instructor at Carnegie Mellon University and the Oberlin Conservatory. He has led masterclasses, performed guest recitals at universities nationwide, and presented or performed at numerous Midwest, Southeast, Northeast, and International Tuba Euphonium Conferences. He has also served on faculty at the Roger Bobo Festival of Brass and the 2023 International Euphonium Tuba Festival. His students have gone on to win positions at the Seattle Symphony, Springfield Symphony, Shoals Symphony, and competitions at the regional and National levels.
Dr. Lukowicz is also an accomplished marching arts performer and educator. He has been a brass staff member at Music City, the Santa Clara Vanguard, Blue Knights, and Phantom Regiment drum and bugle corps.He also served on the music staff of the RCC Marching Tigers and the Spirit of America Band. He was a judge for the Pennsylvania Federation of Contest Judges, working championship shows for circuits in Pennsylvania and Michigan. He was a member of the Concord Blue Devils from 1997 to 1999, From 2001-2002, he was a performer with the North American touring cast of Blast!.
He earned his doctorate at Michigan State University, where he served as the Teaching Assistant for the studio. Dr. Lukowicz is the only brass musician to have earned an Artist Diploma from Carnegie Mellon University. Additional studies include the University of Southern California (MM), and the Oberlin Conservatory of Music (BM).
What They Play
EBC836
The EBC836 is a 6/4 size tuba inspired by the legendary York orchestral CC tuba. This large tuba is at home on stage with a symphony orchestra or concert band, in the pit of an opera or ballet orchestra, and is nimble enough to play in small chamber ensembles. The next generation 6/4 tuba has arrived!
- Key of CC, 6/4 size
- .750" bore
- 20" upright bell
- 4 front-action pistons + 5th rotary valve
- Clear lacquer or unlacquered finish
- Laskey 30H EU mouthpiece
- Deluxe case w/wheels
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EBC632
This 34" tall CC tuba is wonderfully in tune and is a very easy and comfortable horn to play. Whether in an orchestral setting, a community band, a church ensemble, quintet, or solo work - this tuba works well!
- Key of CC, 4/4 size
- .689" bore
- 19 3/4" yellow brass, upright bell
- 4 front-action pistons + 5th rotary valve
- Clear lacquer finish
- Laskey 30H US mouthpiece
- Deluxe case w/wheels
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Most artists who put a “Doc” in their name do it out of cleverness, for marketing reasons, or as a crafty way to express their mastery of their instrument or vibe. Since the release of his 2003 debut Saxappeal, Phillip “Doc” Martin has all that down pat, wowing audiences everywhere from Blues Alley in D.C. to the St. Lucia Jazz Festival and the Catalina Island JazzTrax Festival and earning inspiring amounts of airplay (including on XM Watercolors and The Weather Channel) for tracks like “Deep Pockets” and the title track from his 2009 set Realization. His latest Innervision Records release Pocket Love further establishes this powerful expertise via his dynamic flow and tight, funky old school driven alto vibe.
While many independent artists with cool, successful “day jobs” prefer to avoid references to them when they talk about their music, Martin is the complete opposite, fully embracing the inspirational factor of being a top notch practitioner in two very different professions. Beyond his ever-expanding musical fan base, hundreds of patients in the Washington DC area know him as “Dr. Martin,” a board certified dentist in group practice there. He called his previous album Good Day At Work (2013) to reflect his artful balance between the rigours of life as a dentist and the sometimes exhilarating, often challenging grind of being an independent artist and performer. One of the insert photos in the packaging of Pocket Love finds him enjoying the best of both worlds, embracing his treasured alto while wearing his green scrubs and cap.
“My first love was always playing the sax, and I continue to strive to be the best sounding alto player you’ve ever heard. If it’s unheard of that a saxophone artist also wants to be the best dentist you’ve ever gone to, that’s a testament to the hard work I have put in so that I may enjoy these two amazing careers. In both worlds, success comes from working with incredible, dedicated people and developing inspiring, enduring relationships.
https://www.phillipdocmartin.com/
What They Play
EAS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
• 52nd St. Eb Alto Saxophone
• High F# key, aged unlacquered brass finish
• Adjustable thumbrest
• Large bell, rolled-style tone holes, special 52nd St. engraving
• "S" neck
• Deluxe case w/storage pockets and backpack straps
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Bennie Maupin is best known for his atmospheric bass clarinet playing on Miles Davis’ classic “Bitches Brew” album, as well as other Miles Davis recordings such as “Big Fun,” “Jack Johnson,” and “On the Corner.” He was a founding member of Herbie Hancock’s seminal band The Headhunters, as well as a performer and composer in Hancock’s influential Mwandishi band. Born in 1940, Maupin started playing clarinet, later adding saxophone, flute, and most notably the bass clarinet to his formidable arsenal of woodwind instruments. Upon moving to New York in 1962, he freelanced with groups led by Marion Brown, Pharoah Saunders, and Chick Corea, and played regularly with Roy Haynes and Horace Silver. He also recorded with McCoy Tyner, Lee Morgan, Freddie Hubbard, Jack DeJohnette, Andrew Hill, Eddie Henderson, and Woody Shaw to name only a few.
Maupin’s own discography as a leader includes a well-received recording for ECM Records, “The Jewel in The Lotus” (1974), “Slow Traffic to the Right” (1976), “Moonscapes” both on Mercury Records (1978), and “Driving While Black” on Intuition, (1998). The instrumentation of Maupin’s current group The Bennie Maupin Ensemble, harkens back to the tradition of great saxophone-bass-drum trios, such as the group led by Sonny Rollins with Wilbur Ware and Elvin Jones. While echoes of the great John Coltrane can be heard in Maupin’s work, one can also discern the influences of Yusef Lateef, Sonny Rollins, and Eric Dolphy, as well as Maupin’s contemporaries like Wayne Shorter and the late Joe Henderson. Maupin’s approach to his music is intentional and profound, yet alive in the interpretation of the moment. He maintains active performing and teaching careers in Europe, and the US. Bennie Maupin currently resides in the Los Angeles area.
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
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Las Vegas based Charles McNeal studied extensively in Denver Co. privately and at the college level with teachers that include Walt Fowler, Willie Hill, Rich Charluce, Keith Oxman, Ron Miles, Javon Jackson, Nelson Rangell, Brad Leali, and Walter Barr. He has been a featured performer at many national and international festivals including Monterey Jazz Festival (CA), San Jose Jazz Festival (CA), San Francisco Jazz Festival (CA), Playboy Jazz Festival(CA), Telluride Jazz Festival (CO), Umbria Jazz Festival (Italy), and Porretta Soul Festival (Italy). He has performed, recorded and/or toured with: Lyle Lovett Large Band, The Headhunters w/Mike Clark and Bill Summers, Jimmy Scott, Charlie Mussellwhite, Keb Mo, John Faddis, Wynton Marsalis, James Carter, Steve Turre, Leslie Drayton, McCoy Tyner, Ray Obiedo, Dave Garabaldi, RAD, Steve Turre, James Carter, Brenda Boykin, Claire Dee, Lavay Smith and the Red Hot Skillet Lickers, Barbara Morrison, Jackie Ryan, Take 6, Kirk Whalum, Nneenna Freelon, Barbara Dennerlein, Jr. Mance, Bruce Forman, Mark Elf, Roberta Flack, The Temptations, Ollie Woodson, Norman Conners, Jean Carne, Curtis Olson, Peter Horvath, Jaz Sawyer, Boz Scaggs, and Nicolas Bearde. In addition to being a world class saxophonist, his website “charlesmcneal.com” is the #1 source for jazz saxophone transcriptions and related educational resources on the web. Read what’s being said about this Las Vegas saxophonist: “…When I walked into Pearl’s, the piece “Brujo” was in full swing. It was a swift piece that featured Charles McNeal primarily on soprano sax with Wally kicking and stomping on the drums, pushing Charles to great heights. The group was very tight and seemed to like that tempo. Charles’s alto solo had a contemporary edge on “Tony,” a piece dedicated to Tony Williams.” “…Charles was into a very avant-garde mode that took the rest of the group in that fast-clip direction.” “…before slowing the pace for the first of Nelson’s compositions, “A Penthouse Dawn,” admirably performed by the orchestra and alto soloist Charles McNeal.”
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
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Paul Von Mertens is a Chicago-based composer/arranger and a performer on saxophone, flute, clarinet and harmonica. He has played and recorded with a variety of artists including Mavis Staples, Paul McCartney, Eric Clapton, Elton John, Stereolab, The Sea and Cake, Poi Dog Pondering, Broken Social Scene, Wilco, and Mono. He has been a member of the Brian Wilson Band since 1999 and is currently musical director.
Paul has written arrangements, orchestrations and performed for Brian Wilson's tour and Grammy-winning recording of "Smile," the Pet Sounds Tour, "Live In London," "Gettin' In Over My Head," "That Lucky Old Sun," "Wilson Reimagines Gershwin," "In The Key Of Disney," and "That's Why God Made the Radio" with Brian and The Beach Boys. Paul spent 2016 touring “Pet Sounds 50th Anniversary” worldwide, featuring performances with the Boston Pops. His arrangement of "Dvorak Re-mix Fantasy" was premiered at Orchestra Hall with Poi Dog Pondering and the Chicago Sinfonietta in 2005, and his "Carmen Remix" in 2007.
Writing credits include music for Steppenwolf Theater, the Peabody Award-winning documentary "The Lost Children of Rockdale County" and "Merchants of Cool" for Frontline, and the long-running "Workplace Essential Skills" for PBS. Paul and his wife, Cynthia Von Orthal, have created original puppet musicals "Akuba's Dream," "The Yellow Wallpaper," "A White Heron" and "Tara's Story" for their own company, Von Orthal Puppets.
PC: Sean Williams
http://www.bobmintzer.com/
What They Play
ESS652
Legacy Model
The 52nd Street Saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers across the range of the instrument, and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Soprano Saxophone
- High F# key, aged unlacquered body and keys
- Straight one-piece body
- Rolled-style tone holes, special 52nd St. engraving
- Deluxe case w/storage pockets and backpack straps
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Have a question or want to know more about the ESS652? Please provide your information below and we’ll be in touch shortly.
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the ETS652? Please provide your information below and we’ll be in touch shortly.
Eduardo Nogueroles combines interpretation with teaching, composition and conducting. He is Professor of Tuba and Euphonium at the Professional Conservatory of Music of Valencia, member of the Spanish Tuba Quartet, member of the Team Board of the Spanish Association of Tubas and Euphoniums AETYB, International Representative of the International Tuba and Euphonium Association ITEA, Conductor of the Symphonic Band of the Societat Musical d'Alboraia and Eastman Performing Artist.
He studied tuba, conducting, composition and contemporary music in the conservatories of Jávea, Valencia, Madrid (End of career Honor Award), Perpignan (Gold Medal of the Conservatory), Arizona State University and the Royal Schools of Music (Licentiate with Distinction), with professors such as Miguel Moreno, Mel Culbertson, Sam Pilafian, Harvey Phillips, Tomás Gilabert, Andrés Zarzo or Ferrer Ferrán.
He was laureated at the International Tuba Competition in Albany (New York) and at the Xátiva Brass Competition (Valencia). Was part of the Students' Orchestra of the Community of Madrid and the Young National Orchestra of Spain JONDE, and has collaborated with numerous orchestras such as those of Castilla y León, Orquesta Sinfónica de Navarra, Orquesta Sinfónica de la Radio Televisión Española, Orquesta Sinfónica de Granada, Orquesta de les Arts, Orquesta Nacional de Cataluña, Orquesta Sinfónica de Bilbao, Sinfónica de Galicia, Sinfónica de Córdoba, Filarmonía de Santiago, Orquesta Sinfónica de Euskadi, Orquesta Ciudad de Málaga, Grup Instrumental de Valencia, Orquesta Sinfónica de Valencia, Orquesta del Palau de les Arts Reina Sofia, etc.
He taught tuba and euphonium at the Professional Conservatory of Meliana, at the Professional School of Music of Viana do Castelo, at the Superior Conservatory of Music of Vigo, at the Professional Conservatory of Castellón and at the Superior School of Music and Performing Arts of Oporto ESMAE. Since 1996 he has been giving master classes all over the world and regularly performs as a soloist with piano, orchestra or band, participating in numerous premieres and recorded several pieces as a soloist, including Ferrer Ferrán's El Gigante de Hierro. In 2000 he recorded his first album Escenas latinas, followed by Una mirada atrás en (2014) and Rock & Tuba (2021).
He has been Director of the Music Bands of San Miguel de Oia, Vilafamés, Aldaia and Villar del Arzobispo, with which he has won several prizes in competitions and made various recordings such as Sensacions or Begin the beguine. He was Director of the International Tuba Festival of Vigo from 1997 to 2003 and President of the Spanish Association of Tubas and Euphoniums AETYB between 2012 and 2020. He has been a member of the jury in numerous competitions, both performance and composition, among which stand out those of Juventudes Musicales de España, Falcone Composition Contest, Brazilian Euphonium and Tuba Association ETB, Spanish Association of Tubas and Euphoniums AETYB, International Tuba and Euphonium Association ITEA, etc.
As a composer, his music is performed all over the world, having been recorded on several CDs, received various awards and commissioned by prestigious international ensembles and soloists. His pieces, published by the Diputación de Valencia, Rivera Editores, Opera Prima, Branfor, Pinacle Brass and Potenza Music (USA), include works for soloists, chamber music, choir, band, orchestra and musical theater. He is also a co-author of method dedicated to teaching brass instruments Brass School (ed. Bromera and Algar) and author of the 18 Basic Routines for Brass Instruments (Amazon).
You can follow all his musical activity from: https://linktr.ee/EduardoNogueroles
What They Play
EBF866
- Key of F, 4/4 size
- .667" - .820" bore
- 16.5" yellow or gold brass, upright bell
- 4 right hand + 2 left hand rotary valves
- Clear lacquer, unlacquered, or silver-plated finish
- Laskey 28K US mouthpiece
- Deluxe case w/wheels
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Have a question or want to know more about the EBF866? Please provide your information below and we’ll be in touch shortly.
Harvey Pittel is an award winning and internationally acclaimed classical saxophonist who has performed as a soloist with many of the world’s greatest orchestras and has recorded extensively as a soloist and with ensembles including his own saxophone quartet. He is the Professor of Saxophone at The University of Texas at Austin Butler School of Music.
What They Play
EAS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
• 52nd St. Eb Alto Saxophone
• High F# key, aged unlacquered brass finish
• Adjustable thumbrest
• Large bell, rolled-style tone holes, special 52nd St. engraving
• "S" neck
• Deluxe case w/storage pockets and backpack straps
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Gary Poffenbarger, a distinguished music educator and performer, joined the faculty at The University of Texas at San Antonio School of Music in Fall 2017. Specializing in tuba and euphonium, he imparts his extensive knowledge and experience to music majors, conducts insightful weekly masterclasses, and directs the UTSA Tuba/Euphonium Ensemble, The Boom Squad.
Mr. Poffenbarger has had the privilege of being mentored by a host of eminent musicians, including Sam Pilafian, William Holmes, Wesley Branstein, Warren Deck, Gary Ofenloch, Ronald Romm, Roger Voisin, Timothy Morrison, David Ohanian, William Pfund, Allan Dean, and Arnold Jacobs.
Gary has enriched renowned ensembles such as The Boston Brass, Epic Brass, and The Boston Tuba Quartet with his musical prowess. He distinguished himself as the principal tubist with The United States Air Force Academy Band and excelled as the group leader/music director of The Stellar Brass, an ensemble that has been featured at esteemed events like The Midwest Clinic, Texas Music Educators Association Convention, and the International Trumpet Guild Conference.
While at the Academy, Gary was a pivotal member of the arranging staff, creating over 150 arrangements while also instructing the music notation software Finale for the Air Force. His leadership extended to his role as Chief of the Band Support Division for The Air Force Public Affairs Association, where he spearheaded initiatives in music composition, arranging, licensing, and social media management for all Air Force Bands and Public Affairs.
With a portfolio comprising over 32 video and audio recording projects, Gary has showcased his live performances to a global audience exceeding 50 million. He has made over 40 television appearances on networks such as PBS, Fox and Friends, and The Armed Forces Network. Before joining UTSA, Gary served as Adjunct Professor of Tuba and Euphonium at Colorado State University-Pueblo and was a respected faculty member at The Rafael Mendez Brass Institute. He also contributed his leadership and expertise as the Director of Bands at Louise ISD.
Currently, Gary Poffenbarger collaborates as an artist/clinician with the Eastman Music Company. Gary’s commitment to music education and his passion for performance continue to inspire students and audiences alike, fostering a deep appreciation for music and cultivating the next generation of musicians.
http://music.utsa.edu/index.php/faculty_page/gary-poffenbarger-tuba
What They Play
EBC632
This 34" tall CC tuba is wonderfully in tune and is a very easy and comfortable horn to play. Whether in an orchestral setting, a community band, a church ensemble, quintet, or solo work - this tuba works well!
- Key of CC, 4/4 size
- .689" bore
- 19 3/4" yellow brass, upright bell
- 4 front-action pistons + 5th rotary valve
- Clear lacquer finish
- Laskey 30H US mouthpiece
- Deluxe case w/wheels
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Bill is a native of New Jersey. He began teaching and freelancing in Atlanta in 2001 while he was a member of the Army Ground Forces Band. Currently he plays tuba with the Midtown Brass Quintet, the acclaimed Georgia Brass Band, the John's Creek Symphony Orchestra and the Ludwig Symphony. He has also performed with the Alabama, Columbus, Macon, Cobb, Chattanooga and Hilton Head Symphonies, the Savannah Philharmonic, Symphony Orchestra Augusta, the Atlanta Brass Society, The Atlanta Ballet and the Peachtree Brass. As a soloist he has appeared with the Army Ground Forces Band, the New Atlanta Philharmonic, the Ludwig Symphony, and the New Jersey-based South Orange Symphony, delighting audiences of all ages with his dynamic interpretations of both standard and lesser known works for tuba. Bill also performs on sousaphone with Mercury Orkestar and the Fourth Ward Afro-Klezmer Orchestra, tuba in the rock group B. Wayne and the Belfrys and plays bass in the chamber rock group, the Clibber Jones Ensemble. In addition to his performance schedule, Mr. Pritchard is a dedicated teacher of his craft, giving private lessons and masterclasses on euphonium and trombone, as well as tuba and is a professor at Georgia College and Agnes Scott College. Bill holds a Bachelor of Arts degree in music management from William Paterson University and a Master of Arts in classical performance from the Eastman School of Music.
Bill plays the Eastman EBC836S, and is currently pursuing a jazz bass performance degree at Kennesaw State University.
What They Play
EBC632
This 34" tall CC tuba is wonderfully in tune and is a very easy and comfortable horn to play. Whether in an orchestral setting, a community band, a church ensemble, quintet, or solo work - this tuba works well!
- Key of CC, 4/4 size
- .689" bore
- 19 3/4" yellow brass, upright bell
- 4 front-action pistons + 5th rotary valve
- Clear lacquer finish
- Laskey 30H US mouthpiece
- Deluxe case w/wheels
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Have a question or want to know more about the EBC632? Please provide your information below and we’ll be in touch shortly.
Chris Schmidt is currently the conductor for the Louisville Youth Orchestra Horizons Brass Choir and he also is the instructor of low brass at Indiana University Southeast. He has been a low brass instructor in the Louisville KY Metro Area since 2008. There have been several of his ensembles that have performed at major conferences including the IUS Tuba-Euphonium Ensemble at the 2023 International Euphonium-Tuba Festival, the Youth Performing Arts School Tuba-Euphonium Ensemble at the ITEA Midwest Regional Tuba-Euphonium Conference in 2022, and the Oldham County High School Tuba-Euphonium Ensemble was selected to perform at the 2013 and 2021 KMEA Conference. Several of his private students from various local high schools have earned placements in the Kentucky and Indiana All State Bands as well as National Honor Bands including the John Philip Sousa National High School Honor Band.
Mr. Schmidt attended the University of Louisville and earned a degree of Master of Music Performance with an emphasis in Wind Ensemble Conducting in May of 2010. While at U of L he studied conducting with Dr. Fred Speck and tuba with Mr. John Jones. Mr. Schmidt was also a guest tuba soloist with the University Concert Band when he performed The Fantasia for Tuba and Band by James Curnow under the direction of Dr. Greg Byrne. Prior to his time at Louisville Mr. Schmidt attended Morehead State University where he held the position of Principal Tuba in the MSU Symphony Band and earned two degrees, a Bachelor of Music Education and a Master of Arts in Secondary Education. Mr. Schmidt was the chapter president of the International Tuba Euphonium Association. He was also awarded placements on the MSU Dean’s List, the KY Intercollegiate Band, the CBDNA Southern Division Intercollegiate Band, and the Lexington Brass Band. His primary teachers at MSU included euphonium virtuoso Dr. Earle Louder and tuba professor Dr. Stacy Baker as well as wind band conducting lessons with Dr. Richard Miles. After graduating from MSU, Mr. Schmidt taught instrumental music for eight years before beginning a freelance music career which has included solo recitals at the International Euphonium Tuba Festival in 2023 and several appearances as a guest soloist with wind ensembles and brass bands around the Louisville, KY Metro Area.
Mr. Schmidt’s business CP Schmidt Music, LLC operates out of Louisville, KY where he operates a studio with sixty private students and creates marching band drill designs and music arrangements for several high school and college band programs. He also serves as an adjudicator for marching band contests, concert band, and solo and ensemble festivals. Mr. Schmidt also performs with Chamber Winds Louisville, the Derby City Brass Band and the Indiana University Southeast Band and Orchestra.
What They Play
EBF866
- Key of F, 4/4 size
- .667" - .820" bore
- 16.5" yellow or gold brass, upright bell
- 4 right hand + 2 left hand rotary valves
- Clear lacquer, unlacquered, or silver-plated finish
- Laskey 28K US mouthpiece
- Deluxe case w/wheels
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Dr. Treinen is currently Assistant Professor of Jazz Studies/Applied Saxophone at Washburn University in Topeka, Kansas. He received his PhD in Curriculum and Instruction with an emphasis in Jazz Studies under Dr. Wayne Goins from Kansas State University and his Masters Degree in Music Education from Kansas State University under Dr. Frank Tracz. Dr. Treinen is also a graduate of Washburn University where he received his Bachelors degrees in Music Education and Saxophone Performance. During the mid 80’s, Dr. Treinen occupied the lead Alto chair with one of the leading premier big bands in the country, The Kansas City Boulevard Big Band. In 1994, He was mentioned in Downbeat Magazine article for his solo work on the big band’s latest recording. The ensemble was recognized for its collection of highly talented musicians and recordings featuring Karin Allison, Kevin Mahogany, Bobby Watson, Pete Christlieb, Eric Marienthal and many others. Throughout his years in Kansas City, Dr. Treinen performed with several other local, regional and national big bands such as The Trilogy Big Band, Tony Dipardo Big Band, Topeka Jazz Workshop Big Band, Moms Big Band and The Jimmy Dorsey Big Band. In 1990, Dr. Treinen entered the United States Air Force as a Saxophone Specialist with The Heartland of America Band (formerly the USAF Strategic Air Command Band) stationed in Omaha, Nebraska. During his military career, Dr. Treinen was awarded the Air Force Commendation Medal for his solo work on the “Noteables” jazz ensemble recording Always and Forever, and for his performance work. He was then awarded Airman of the Year for the entire USAF music career field and received the Outstanding Airman Bandsman, 4 times from his unit commander during his tenure at Offutt, AFB. In 1996, Dr. Treinen was awarded the Air Force Achievement Medal for his accomplishments as musical director of the “Noteables” during The United States Air Force 50th Anniversary World War II Show, which was presented throughout the United States. Dr. Treinen currently serves on the Board of Directors for the Topeka Jazz Workshop Inc., as the Director of the education and scholarship committees and one year as the Artistic Director for The Coleman Hawkins Legacy Jazz Festival. He is currently in his tenth year as the Director of the Topeka Jazz Youth Jazz high school jazz program. Dr. Treinen is in high demand as a jazz educator and performer throughout the Midwest. He is currently serving as Kansas’s State Jazz Education Advisor for the Kansas Music Educator Association and is the Director of the KMEA Jazz Educators All-Star Big Band. As a clinician/ artist, Dr. Treinen has adjudicated and performed at numerous jazz festivals. As a jazz saxophonist, Dr. Treinen’s solo work can be heard on the following recordings: “Chronicles of Carmella,” by guitarist Dr. Wayne Goins, “Introducing Sean Parsons,” by pianist Dr. Sean Parsons and vocalist Kevin Mahogany’s CD “Big Band.” Throughout his career, Dr. Treinen has performed with such legendary performers such as Grant Stewart, Harry Allen, Bob Bowman, Todd Strait, Frank Mantooth, Donny McClaslin, George Duke, Mike Metheny, Roger Ingram, Carl Fontana, John Fedchock, Terrell Stafford, Bobby Watson, Wycliff Gordon, Eric Marienthal, The Temptations, and The Shirelles. Dr. Treinen is currently performing with the New Vintage Big Band in Kansas City, 9plus1, Michael Pagan Big Band, and The Wayne Goins Quartet. He continues to be an active performer and clinician providing clinics, workshops, and lectures on saxophone and jazz education throughout the United States. On March 7, 2015, Dr. Treinen was inducted into the Kansas Music Hall of Fame.
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
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Mike Vaccaro is a freelance musician in greater Los Angeles, California. He is active in the fields of motion pictures, television, jingles, live theater, and classical, jazz, and pop concerts. Performing on a multitude of woodwind instruments including the clarinet, flute, saxophone, and oboe families his background and current performance activities are varied.
After studies at Cerritos College and Cal State University Long Beach (where he premiered the Scaramouche for Alto Saxophone and Orchestra by Darius Milhaud) in classical music he served his professional apprenticeship on tours with Stan Kenton, Woody Herman, Paul Horn, and the American Folk Ballet.
A four year stint in Las Vegas had him performing for production shows and celebrities and various hotels. At the same time he was performing with the Las Vegas Chamber Players and the Las Vegas Symphony Orchestra.
His career included the Pantages Theater, South Bay Civic Light Opera, with The Pageant Of The Masters Orchestra, Long Beach Grand Opera, and in a variety of recording studios, venues, and at concerts throughout the area. Some recording engagements included The Academy Awards, and the motion pictures, Up, Star Trek, Speed Racer, Ratatouille, Hairspray, Land of the Lost, and Mission Impossible, The Incredibles, etc. In addition he is the music contractor at The Cerritos Center for the Performing Arts going on his 29th year contracting local musicians for celebrities. He has been semi-retired since 2008 and making a CD or two every year in both the jazz and classical idioms. Also in retirement he continues to make mouthpieces for clarinet and saxophone and plays and records with his saxophone quartet. His jazz and classical recordings can be purchased at www.mikevaccaro2.bandcamp.com Most recently he is presenting and producing the music of John Scott. You can sign on to a bi-monthly blog at mikevaccaro.com and yes Mike does teach just a few students on clarinet, saxophone, and flute (a limit of 5 per week). He performs on the Eastman 850 Alto Sax, the 52nd Street Soprano Sax, and the Haynes flute.
Dr. Benjamin Vasko serves on the faculties of the University of Central Florida and the Boston University Tanglewood Institute, where he gives lessons, coaches chamber music, and teaches repertoire classes. He is the founder and director of the Orlando Youth Tuba Ensemble, a high school-aged chamber group dedicated to elevating the performance level of young tuba and euphonium players in Central Florida.
Dr. Vasko holds a Bachelor of Music degree from the University of Texas and a Master of Music degree from the University of Georgia, both in Tuba Performance. His primary teachers have been Jorge Avendaño, Steve Haddad, Sam Pilafian, Charles Villarrubia, and David Zerkel. He completed his Doctor of Musical Arts degree at Boston University under Mike Roylance. Dr. Vasko’s dissertation is an exploration of the benefits that collaborative learning has on student well-being and musicianship in the collegiate tuba/euphonium ensemble.
Dr. Vasko has had the honor of performing with the Boston Symphony, the Boston Pops, the Boston Modern Orchestra Project, the Jacksonville Symphony, the National Orchestra of Spain, the Orlando Philharmonic, and other wonderful organizations. He tours with the Brookwood Trio (trumpet, tuba, piano), bringing its unique instrumentation around the United States. His recent highlights include the GRAMMY-nominated recording of “Lord of Cries,” John Corigliano’s newest opera, with the Boston Modern Orchestra Project, performances with the Jacksonville Symphony, and a tour of Spain where he performed with the Orquesta Nacional de España and taught at conservatories in Valencia, Barcelona, and Cordoba, as well as at the Madrid Tuba Academy. In June 2024, Dr. Vasko is presenting a masterclass on learning to improvise basslines and solos at the International Euphonium Tuba Festival in Atlanta, GA. Dr. Vasko is an associate artist and soloist with the Rodney Marsalis Philadelphia Big Brass, performing concerts and outreach programs across the country.
Dr. Benjamin Vasko is an Eastman Performing Artist.
What They Play
EBC832
The EBC832 is the result of innovation not seen in the tuba community. This compact tuba combines the agility and response of 4/4 size tuba, with the sound and color of a much larger tuba.
- Key of CC, 4/4 size
- .689" bore
- 19 3/4" yellow brass, upright bell
- York style 4 front-action pistons + 5th rotary valve
- Clear lacquer finish
- Laskey 30H EU mouthpiece
- Deluxe case w/wheels
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Phillip Whack is a native of Columbia, SC. It was there that he was a product of his environment and grew up hearing the likes of Miles Davis, Nat King Cole, Earth, Wind and Fire, The Doobie Bros, Stevie Wonder, Prince, Louie Armstrong, Grover Washington Jr, James Brown, and many others in the family household. By constantly absorbing all of this music, it would prove to have a profound influence in his interest in music.
He went on to continue his studies at Brevard College in Brevard, NC, where he studied saxophone and clarinet with Dr.David Kirby and Dr. Jon Gudmundson. As he honed his skills in college, he began his true quest in music. Although Phillip was initially a classically trained musician, he started to get submerged in the recordings by artist such as John Coltrane, Wayne Shorter, Herbie Hancock, Michael Brecker, Freddie Hubbard, Kirk Whalum, Weather Report, Tower of Power, etc. Those and many other recordings would change his life and direction in music forever.
As a professional, Phillip has gone on to record or share the stage with the likes of The Glenn Miller Orchestra, Maceo Parker, Clarence Clemons, Fantasia, Fred Wesley, Wycliffe Gordon, Tom Browne, Lenny Kravitz, Branford Marsalis, The Jimmy Dorsey Orchestra, Aretha Franklin, The Temptations, The Four Tops, The Ojays, Dennis Edwards and the Temptations Review, and many others. He's performed in 48 states, Asia, Europe, Canada, and Africa. Here is what he has to say about his Eastman 52nd Street tenor saxophone. "Eastman Saxophones have everything that a saxophonist would want..They play well in all registers from top to bottom...They allow the player to be extremely flexible and with great intonation and pitch...And most of all, they allow you to sound like you"
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
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Have a question or want to know more about the ETS652? Please provide your information below and we’ll be in touch shortly.
Since picking up the saxophone while in Junior High School back in the 1980s, Kirk Tracy enjoyed developing his sound and playing in the Orange County/Los Angeles music scene. While still in school Kirk had the honor of studying with New Orleans great Jerry Jumonville as well as Southern California saxophone masters Eric Marienthal and Doug Webb. Once Kirk was in his late teens he became busy playing with The Shirelles, The Ink Spots, Dave Wakeling (The English Beat and General Public), and recorded the Epic Records debut release of the ska group Save Ferris. Kirk has also recorded many t.v. and film spots as well. Although once he met his wife Nicole he was determined to create a group with her that celebrated “Classic American Music”…and thus The Kid and Nic Show was born. A fun, high energy, interactive show that features a blend of swingin’ blues, rock and roll, latin and a variety of other genres. Since the formation of this husband and wife led five piece band in 1997, The Kid and Nic Show has performed regularly from the House of Blues stages in Hollywood and Anaheim to clubs, casinos, theaters, festivals and special events across the country. Past tours have taken the show to over 15 states. The Kid and Nic Show has been featured on The Discovery Channel, The Food Networks “Bobby Flay’s Food Nation”, as well as morning news shows in Minnesota, South Dakota, Nevada and Arizona. Their story has also been told in periodicals across the nation. Songs from Kid and Nic’s lates release “Goin’ Downtown” are enjoying regular rotation on radio stations across the nation and around the world! Kid and Nic take their audiences on a trip across the landscape of American music and comedy for a show that provides a lot of laughs, memorable tunes and a genuine feeling of joy! Kirk Tracy is a proud player and promoter of The Eastman 52nd St. Tenor Saxophone.
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the ETS652? Please provide your information below and we’ll be in touch shortly.
Gary Bias has been the saxophonist with the Earth, Wind & Fire horns since 1987. He has won a Grammy Award in 1987 in the Best Rhythm & Blues Song category for co-writing the song “Sweet Love” with Anita Baker and Louis A. Johnson. In 1999 Bias released his first album as a leader, “2 B Free”, on his own Thunderbop label. He is co-owner of a recording studio in San Bernardino, California, where he has been working on his second album on his off-time from Earth, Wind & Fire.
What They Play
EAS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
• 52nd St. Eb Alto Saxophone
• High F# key, aged unlacquered brass finish
• Adjustable thumbrest
• Large bell, rolled-style tone holes, special 52nd St. engraving
• "S" neck
• Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the EAS652? Please provide your information below and we’ll be in touch shortly.
Adam Hayes is an internationally recognized performer, educator, and clinician. A versatile musician, Adam has performed throughout North America, South America, Europe, and Asia, including performances with over 40 professional orchestras throughout the world. With an interest in new music and creative music, Adam endeavors to promote the latest in solo trumpet repertoire. His debut album CURRENT, features innovative compositions for solo trumpet and piano and is distributed internationally on Curvepoint Media. Adam actively commissions new works for trumpet by a variety of composers. He has given the world-premiere performances of over 12 significant works for trumpet. Adam was a featured artist at the 2012 International Trumpet Guild Convention, premiereing Amy Dunker’s Etesian Traveler, an innovative composition for trumpet, piano, percussion, and dance. Adam has published articles and reviews for music publications, including the International Trumpet Guild Journal. Adam’s book, In Theory: The Trumpet, is a trusted resource in the collegiate trumpet studio. Adam has performed with professional ensembles including The Atlanta Symphony Orchestra, The Atlanta Opera, The Atlanta Ballet Orchestra, The Cincinnati Ballet Orchestra, The Cincinnati Chamber Orchestra, The Hollywood Festival Orchestra, The Hollywood Hills Orchestra, The New Mexico Symphony Orchestra, The Santa Fe Symphony Orchestra, The Chamber Orchestra of Albuquerque, The Dayton Philharmonic, The West Virginia Symphony, The Kentucky Symphony Orchestra, The Richmond Symphony, The Chattanooga Symphony, and numerous regional orchestras. Adam has been a soloist with the Ringling Bros. Barnum and Bailey Circus, and has performed on studio-recording and commercial engagements from cruise lines to Broadway shows. He has performed with notable artists such as Diana Krall, The Indigo Girls, Bela Fleck, Mannheim Steamroller, Edwin McCain, Joan Osborne, Neil Sedaka, New York Voices, Chris Potter and John Cowan. Several of Adam’s solo, chamber and orchestral recordings have been broadcast on radio and television. He can be heard on labels including ACA, 5ive Happiness, Curvepoint, Hal Leonard, and Mark Records. Adam Hayes is Artist-in-Residence and Assistant Professor of Music at Berry College in Rome, GA where he teaches the trumpet studio and courses in music. He serves on the Board of Directors for the Trumpet Festival of the Southeast, and is the Solo Reviews Editor for the International Trumpet Guild youth website. Currently, Adam serves as President of the Georgia Association of Jazz Educators. Prior to his appointment at Berry College, he taught at Clemson University, North Georgia College & State University, The University of New Mexico, Truett-McConnell College, and for the Georgia Governor’s Honors Program. He holds the Doctor of Musical Arts degree from The University of Cincinnati College-Conservatory of Music, a Master of Music from the University of New Mexico, and a Bachelor of Music from The University of Georgia. As an artist for Eastman Trumpets, Adam performs worldwide as a soloist and clinician.
What They Play
ETR530
- Key of C, .459” medium large bore
- Handspun, engraved, yellow brass bell
- Wire-reinforced bell, torch-annealed bell tail
- Reverse tuning slide
- Silver-plated
- Mouthpiece and deluxe double case
- Available as ETR530GS
- With gold brass bell and 24k gold-plated trim kit
- Available as ETR530GS
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Trained at Interlochen and the University of Southern California, Daniel Kelley is a pianist, a composer and arranger, and a French hornist. In addition to being a member of the LA Opera Orchestra and the Pasadena Symphony, he has worked on many motion pictures, including Star Wars Episode VII, Frozen, Avatar, Wreck-It Ralph, Big Hero 6, Monsters University and all of the Pirates of the Caribbean, Ice Age, Men in Blackand Hot Tub Time Machine films.
Creator of the Music for Two and Music for Three series, nearly 700,000 books of his compositions and arrangements have sold worldwide. Daniel also bakes constantly, mosaics, drives a cherry red 1929 Model A Phaeton, annoys practically everyone with puns, and loves playing games of any kind, though Rook is his current fave. In 2016, a mosaic of his won the Best of Show monetary prize at the LA County Fair. He and his wife Cynthia have three children and too many fish. Adair, Darcy and Adele are the names of the children.
What They Play
EFH682
- Key of F/Bb Double Horn, .468” bore
- Kruspe wrap
- Handspun yellow or gold brass bell
- Adjustable finger hook
- Engraved bell and valve caps
- Clear lacquer finish
- Laskey 75G mouthpiece and upgraded fiberglass Case
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Jenny Kim is Associate Principal Horn of the LA Opera Orchestra, as well as Principal Horn in the Santa Barbara Chamber Orchestra and Third Horn with New West Symphony. She also performs frequently with the Los Angeles Philharmonic and the Pasadena Symphony. As a recording artist, she has worked on numerous motion pictures, including Avatar, Frozen, the Ice Age films, The Adventures of TinTinand X-Men: Days of Future Past. She is the instructor of French Horn at both Chapman University and Biola University. Jenny received her Master of Music degree from the University of Southern California, and her Bachelor of Music and Performer’s Certificate from the Eastman School of Music. She has won first prize in several prominent competitions, including the International Horn Society’s Jon Hawkins Award, and has soloed with the Los Angeles Philharmonic, playing Mozart’s Second Horn Concerto under the baton of Grant Gershon. Her principal teachers were Brian Drake, Peter Kurau, Richard Todd and James Decker. Jenny enjoys spending time with her son, Alden, and likes to walk her dog Isabel. She also loves knitting, crafting, and watching movies, especially the stupidly funny ones that never fail to make her laugh.
Best known for his dynamic groovy melodies and his over-the-top candy colored apparel, Aaron “Candyman” West has become a Contemporary Jazz saxophone sensation. From recordings with jazz giant Stanley Clarke and pop icon Macy Gray to lead saxophonist in NBC’s Carson Daly show band, critics and fans alike garner accolades to the most sought after saxophone entertainer of today. “An incredibly gifted musician who has the ability to combine the best of R&B, pop, neosoul and jazz “– Keaton Hoffman/ Producer. From his early days in Chicago where he played in a church choir under the direction of gospel veteran Smokie Norful, Aaron drew inspiration from the rich musical traditions of that city, including jazz, R&B and blues. He attended music school at University of Illinois and Northern Illinois University and was recognized quickly as a rising star when he arrested audiences with a compelling performance of Curtis Mayfield’s “Move on Up” at the 2001 Chicago Blues festival. Shortly afterwards, Aaron moved to Los Angeles and caught the attention of world-renown bassist and film composer Stanley Clarke. Impressed with Aaron’s unique tenor sound, the bassist invited him to play on network television soundtracks for the HBO hit series “Soul Food” and for Warner Bros. pilot, “The Big Time”. Following, Aaron performed a series of recordings with Macy Gray including a theme soundtrack for the television hit series, “Desperate Housewives”. In 2004 Danny Masterson, actor and star of “That 70’s Show” invited Aaron to join the featured jazz night at the exclusive Los Angeles club called Guys (presently Guys & Dolls), which was voted “Best Club Night” consecutively by Los Angeles Magazine. There he performed weekly live jazz, R&B and pop sets sharing the stage with everyone from John Mayer, Roy Hargrove, Christina Aguilera, Marcus Miller, India Arie and Jodeci. Later, in 2012 Aaron delivered an all-star live performance with Mariah Carey and Randy Jackson at the 54th Annual Grammy Awards. Later on, Aaron landed the coveted spot as lead saxophonist for NBC’s Carson Daly Show house band. Drawing on the influences of legends like John Coltrane, Stevie Wonder, Michael Brecker and Grover Washington Jr. Aaron fashions the perfect contemporary jazz sampler, and has just released his latest Contemporary Jazz sampler titled, “Say It Again”. The Eastman Nickel Tenor has superb intonation and an amazing contemporary sound. Any serious recording artist knows that it’s rare to find an instrument that captures both personality and clarity. This is clearly my saxophone of choice. “I believe that music should be fun…”, states the musician, composer and performer.
Saxophonist Chris Farr graduated from University of the Arts in 1995 and since then has been a highly sought after performer and educator. Chris is currently the head of the saxophone department at the University of the Arts. Chris is also a clinician and endorser of Eastman saxophones. Over the past 15 years he has performed, toured and recorded with the likes of Elvis Costello, Jill Scott, Sting, John Legend, Mary J. Blige, The Roots, Teddy Pendergrass, Grover Washington, Gerald Veasley & Maynard Ferguson. For the last several years, I have been playing the Andreas Eastman 52nd Street model tenor saxophone. It is a superior instrument. It is effortless to play, while still possessing a rich sound and outstanding intonation. Thank you to the folks at Eastman for producing such a fine instrument.
What They Play
ETS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
- 52nd St. Bb Tenor Saxophone
- High F# key, aged unlacquered brass finish
- Large bell, rolled-style tone holes, special 52nd St. engraving
- "M" neck
- Deluxe case w/storage pockets and backpack straps
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Todd is the Director of Jazz Studies and Professor of Saxophone at Ottawa University in Ottawa, Kansas. He is currently performing every Friday at the Green Lady Lounge in Kansas City, MO, with the Tim Whitmer Quartet, as well as once a month at BB’s Lawnside Barbeque with Michael Smith and the Sax Pistols.
Dr. Wilkinson holds a Bachelor of Music in Jazz Performance from Arizona State University, a Master of Arts in Music Theory and Composition from Stephen F. Austin State University, and a Doctor of Arts in Saxophone Performance from the University of Kansas. His past tenure includes a board membership with the Topeka Jazz Workshop, the Artistic Director for the Coleman Hawkins Legacy Jazz Festival, the Director of Jazz Studies and Instructor of Saxophone at Washburn University, the President of the Kansas City Jazz Ambassadors, and owner/operator of the Drum Room Jazz Club.
Todd has conducted Honors Jazz Bands throughout the Midwest and has worked as a clinician/adjudicator in Washington State, Kansas, Oklahoma, Iowa, Texas, Colorado, and Missouri. Todd has led two successful bands, Bokomaru and the Goombahles, and he spent five years performing nightly with the legendary K.C. Bottoms band at the Tuba in Kansas City. Todd has appeared as a sideman with scores of major performers, most notably Mel Torme, Joe Williams, Patti Page, Kevin Mahogany, the Kansas City Chiefs T.D. Pack Band, the Topeka Symphony, the Temptations, Diane Schurr, Karrin Allyson, Natalie Cole, the Royal Crown Revue, Debbie Boone, Mark Pender, Najee, Michael Feinstein, Bob James, and Wayne Newton.
Todd’s publications include:
The Kansas City Jazz and Blues Nightlife Survival Kit -1992, Premier Quatour, Op. 53 Jean-Baptiste Singelee (1812-1875) an Analytical Overview of the First S.A.T.B. Saxophone Quartet – 2004
William P. Latham’s Sisyphus 1971: An Analysis Using Common Tone Networks – 2005
Frank Trumbauer’s Saxophone Studies and Modern Solos for Saxophone: Compositions by the Hot Jazz Virtuoso and Their Place within the American Saxophone Tradition – 2006. ?He is currently working on an outline of Practical Assessments for Young Musicians.
Contact Information:
Dr. Todd R. Wilkinson
Director of Jazz Studies AND Instructor of Saxophone Ottawa University
1001 Cedar, Box 8, 206 Atkinson Hall
Ottawa KS 66067
Cell: 816-797-3264
Todd says the following about his Eastman 52nd Street Bari. “I have recently purchased an Eastman 52nd Street Baritone Saxophone. I’ve owned several different models of baritone saxophones throughout the years, at least six or seven horns, but the Eastman is beyond compare to anything I’ve previously played. It is lighter weight, yet has a big, fat, and dark sound. In fact it has the tonal core and an all-around response much like a tenor sax. I should mention that the intonation is fantastic! I like the look of the unpolished brass, and it’s nice not worrying over lacquer failure and scratches. The rolled tones holes on these instruments feels like blowing on the old Conn 10-Ms, as they had the same design, however the 52nd Street horns are more robust construction, especially with the double-braced key pads on the low-notes, and as well they have the hi F# and low A keys. As a bonus, the case construction is great too. If you haven’t tried these horns, you’re missing out on an opportunity to achieve a great deal of personal satisfaction at a price that is unreasonably affordable. I’m a convert and give the 52nd Street Baritone Saxophone two big thumbs up! I give it my complete endorsement. You will not be disappointed."
Eastman saxophonist and music educator, Anthony “Tony” White began his music career on clarinet before moving to tenor saxophone in high school. Inspired by musical greats John Coltrane, Michael Brecker, Ernie Watts, Stanley Turrentine, Joe Henderson, Jan Garbarek, Wayne Shorter, Pat Metheny, Herbie Hancock to name a few. Mr. White went on to study music at The University of California, Riverside where he performed in the concert and jazz ensembles, adding soprano saxophone, alto saxophone, flute and the Electronic Wind Instrument (EWI) to his arsenal of instruments. It was during his college career that he began performing in groups ranging from pop to rock and hip hop and Latin jazz. “Creating great music is my objective when performing in any style,” says Tony.
During his college tenure, Tony began working with the Los Angeles Unified School District’s “All City Band.” He marched in the band during his senior year in high school and was awestruck with the sound and the power of the band which led him to volunteer his time to work with the band. He started off as the “lunch person” and learned the inside of music education from his mentors. It was during this time that he realized the importance of the power of music and devoted his life to music performance and music education.
In 1991, Tony became the music teacher at John C. Fremont High School. With the help of a dedicated principal and support from the faculty, he was able to develop a strong comprehensive music program in South Central Los Angeles where there was not one before. The bands performed at the Playboy Jazz Festival, Dorothy Chandler Pavillion, the Pantages Theater and more giving the students of the Fremont High School Music department experiences that would last a lifetime. They were also able to perform with the likes of Lionel Hampton, Plas Johnson, Poncho Sanchez and Justo Almario.
Tony has developed an educational component in the Los Angeles Unified School District – Beyond the Bell Branch known as “Music and Entertainment Education.” There he works to develop partnerships with various music and entertainment organizations; assist teachers with creating and maintaining arts education programs; coordinates and develops LAUSD All District music ensembles (marching, jazz, mariachi, etc.).
Through all of his teaching, he maintained his performing artist schedule by studying and playing with the likes of Kenny Burrell, Jackson Brown, Bernie Worrell, Buddy Collette, Billy Mitchell, Gerald Wilson, Billy Mitchell, John Stephens, Bill Green, Dr. Art Davis, John Ehlis, Jose Arellano, Al Viola, Bobby Rodriguez, The Mambo Combo, East Los Angeles Sax Quartet and others.
In his career, Mr. White has been a Bravo Award Finalist and Fulfillment Fund Awardee for his work in music education, The UC Riverside Chancellor Award, Humanitarian Award from the Omni Youth Music Awards, L.A. Music Week Honoree, recognition by the Los Angeles Unified School District Board of Education for his work in music education and the International Association for Jazz Education for being an Outstanding Saxophonist and educator. Tony released his first recording called “The Tony White Project” in 2009, which features different approaches to standard jazz classics such as Little Sunflower, Equinox and Cold Duck Time. He is currently working with jazz pianist Gary Fukushima in a duo format around the Los Angeles area with plans on recording soon. Tony also continues to be a free-lance saxophonist in the greater Los Angeles area where he resides with his wife Kia and their children, Anthony Nikos Ross and Sarah Georgia.
http://www.tonywhiteinc.com/
What They Play
EAS652
The 52nd Street saxophone is a professional instrument and comes unlacquered for a truly vintage appearance. It is an exceptionally responsive horn in all registers and produces a big, fat sound with precise intonation. A larger bell and rolled-style tone holes contribute to the sound qualities of this instrument that many compare to some of the great vintage horns of the past.
• 52nd St. Eb Alto Saxophone
• High F# key, aged unlacquered brass finish
• Adjustable thumbrest
• Large bell, rolled-style tone holes, special 52nd St. engraving
• "S" neck
• Deluxe case w/storage pockets and backpack straps
Get More Info
Have a question or want to know more about the EAS652? Please provide your information below and we’ll be in touch shortly.